Award-winning creative advertising agency offering integrated brand strategy, marketing communications, digital development and digital agency services across Melbourne and Sydneyadvertising agency offices

McCann Sydney Advertising Agency and McCann Melbourne Advertising Agency | Truth Well Told

McCann Erickson Australia is an award-winning creative advertising agency, marketing agency, brand strategy agency, digital agency and graphic design agency with Sydney and Melbourne advertising agencies. McCann Erickson Australia is part of McCannWorldgroup. Since its formation in 1997, McCann Worldgroup has grown to become one of the world’s leading marketing communications organizations. It currently operates in more than 110 countries with best-in-class capabilities in seven branded communications disciplines. McCann Worldgroup delivers marketing solutions that transform brands and grow businesses. The company is comprised of a roster of best-in-class agencies, including McCann Erickson Worldwide (the world’s largest advertising agency network); MRM Worldwide (digital marketing/relationship management); Momentum Worldwide (event marketing/promotion); McCann Healthcare Worldwide (professional/dtc communications); WGEXP (global production); UM (media management); Weber Shandwick (public relations) and FutureBrand (consulting/design).

McCann’s Sydney and Melbourne integrated advertising work regularly features in AdNews, B&T, Mumbrella and Campaign Brief as well as numerous creative and digital advertising award shows including the Cannes Lions International Advertising Festival, One Show, Clio Awards, New York Festivals and local Australian advertising shows including the Australian Writers and Art Directors (AWARD) and Melbourne Art Directors Club (MADC) awards. The business has also been recognised in the B&T and AdNews Agency of the Year Awards.

A multidisciplined marketing communications agency, McCann Erickson’s services encompass brand strategy, advertising, direct marketing and design, including a full suite of digital, interactive, online and web services and all associated productionservices, both for above-the-line media, including television, print, outdoor, radio and magazine, and online and below-the-line media including email marketing, e-crm, direct mail, collateral, visual merchandising and public relations, as well as through-the-line media neutral and integrated communications services including experiential and activation services and installations and event management.

McCann Australia also houses MRM. As the network’s world-leading technology-driven marketing solutions arm, MRM is operational in 34 offices across 25 countries and works with some of the world’s leading brands including: General Motors, Nestle, Intel, Dell, Verizon, Mastercard and Johnson & Johnson. MRM’s primary focus is delivering Return On Investment models for marketing communications, with fully integrated creative and technology expertise in CRM, digital and brand platforms to create lasting,memorable brand experiences across the entire digital landscape. Few agencies can deliver the analytics, results and streamlined simplicity that McCann and MRM’s combined competencies offer in strategy, creativity, performance and technology.

McCann and MRM are staffed by a group of multinational agency professionals seeking to create a strategic and creative alternative to traditional agency thinking. A regular on Australian agency pitch lists, McCann competes against the likes of AJF Partnership, DDB, Badjar Ogilvy & Mather, BBH, BMF, BWM, Campaign Palace, Clemenger BBDO, Cummins Ross, Euro RSCG, George Patterson (GP Y&R), Grey Worldwide, Host, Jack Watts Currie, JWT, Leo Burnett, Marmalade, M&C Saatchi, Publicis Mojo, Naked, Saatchi & Saatchi, The Furnace, The Glue Society, The works and Three Drunk Monkeys.

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How ’bout that glamour then?

I was grabbing a coffee from the place around the corner, when I bumped into a certain ECD from a certain agency. I must’ve caught him at a weak moment, because the conversation quickly turned to how much of a slog advertising has become, compared to the mythical ‘good old days’. Days that pretty much precede us all, but the stories live on.

Anyway, he suggested I “write something about how distinctly unglamorous our supposedly glamorous industry really is”. Conveniently ignoring the fact that we both work a job that allows us to hang out in hip little espresso bars, drinking something called ‘bespoke coffee’ (yes, I know. The needle on your wank-o-meter just went off the scale, and rightly so) I said “sure.”

And so here we are. Actually, here I am… in the office on a holiday weekend, perhaps proving the point that if there is any glamour in the advertising industry… well, obviously it’s happening to somebody else.

So. What, exactly are the glamorous bits about working in advertising? Surely all those big shoots in interesting places. Not sure about you, but if I ever have one of those ‘life flashing before my eyes moments’ the ‘shoot’ part will be me, cold and bored, in a place I’d never choose to otherwise visit, waiting for what seems like hours for the fucking director to be happy with the fucking lighting.

How about all those lunches then? No. If you see people talking business over lunch in a nice restaurant, they’ll be property developers. We’ll be the guys stuck at our desk, trying not to spill sandwich-juice into the keyboards of our Macs. Tip: sweet chilli is particularly bad for mmmmmmmmaking the keys stick.

The excitement of working in a buzzy creative industry? Sure. But you have to remember that ‘buzz’ is just another way of saying ‘incredibly sphincter-tightening deadlines on a daily basis’. It’s exciting, but so is pissing on an electric fence to check if it’s on. You sometimes pay a hefty price for such excitement.

Awards ceremonies? We’ve all seen the Oscars, and they’re pretty glamorous. So ours are too, yeah? Sorry, but when you take the Oscars and remove Johnny Depp, George Clooney, Anne Hathaway, Scarlett Johanssen and their ilk, what you’re left with is a bunch of ordinary-looking people that no-one cares about, picking up statues in craft categories that no-one cares about. And a roomful of other ordinary-looking people seething with hostility and resentment that THEY didn’t win. And that’s what OUR awards shows are like.

The money? Let me put it this way: when an account executive in an advertising agency gets a spam-mail from Hector Raveriz, promoting some scheme whereby they can make hundreds of dollars a week selling weight-loss pills from home… they sort of think twice before trashing it.

The fact that we don’t have to wear suits and ties? OK, fine. I’ll give you that. Never having to choke on a piece of polyester is precisely 20% of why I work in advertising.

Now I hope you don’t think I’m bitching, because I’m not. I love what I do, I’m uniquely suited to it (which is a nice way of saying I’m uniquely unsuited to do pretty much anything else) and the satisfaction I get out of using a mix of creativity and logic to solve other people’s problems will probably never wane.

But glamour? Sadly, I think the opportunity to pay a premium for a cardboard cup of ‘bespoke coffee’ is about as glamorous as it gets.

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We create advertising in all its forms. Our philosophy is summed up by Truth Well Told: a belief that powerful emotional truths, turned into compelling stories, have the power to transform brands. We are in Melbourne and Sydney, and all over the world.

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