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McCann Erickson Australia is an award-winning creative advertising agency, marketing agency, brand strategy agency, digital agency and graphic design agency with Sydney and Melbourne advertising agencies. McCann Erickson Australia is part of McCannWorldgroup. Since its formation in 1997, McCann Worldgroup has grown to become one of the world’s leading marketing communications organizations. It currently operates in more than 110 countries with best-in-class capabilities in seven branded communications disciplines. McCann Worldgroup delivers marketing solutions that transform brands and grow businesses. The company is comprised of a roster of best-in-class agencies, including McCann Erickson Worldwide (the world’s largest advertising agency network); MRM Worldwide (digital marketing/relationship management); Momentum Worldwide (event marketing/promotion); McCann Healthcare Worldwide (professional/dtc communications); WGEXP (global production); UM (media management); Weber Shandwick (public relations) and FutureBrand (consulting/design).

McCann’s Sydney and Melbourne integrated advertising work regularly features in AdNews, B&T, Mumbrella and Campaign Brief as well as numerous creative and digital advertising award shows including the Cannes Lions International Advertising Festival, One Show, Clio Awards, New York Festivals and local Australian advertising shows including the Australian Writers and Art Directors (AWARD) and Melbourne Art Directors Club (MADC) awards. The business has also been recognised in the B&T and AdNews Agency of the Year Awards.

A multidisciplined marketing communications agency, McCann Erickson’s services encompass brand strategy, advertising, direct marketing and design, including a full suite of digital, interactive, online and web services and all associated productionservices, both for above-the-line media, including television, print, outdoor, radio and magazine, and online and below-the-line media including email marketing, e-crm, direct mail, collateral, visual merchandising and public relations, as well as through-the-line media neutral and integrated communications services including experiential and activation services and installations and event management.

McCann Australia also houses MRM. As the network’s world-leading technology-driven marketing solutions arm, MRM is operational in 34 offices across 25 countries and works with some of the world’s leading brands including: General Motors, Nestle, Intel, Dell, Verizon, Mastercard and Johnson & Johnson. MRM’s primary focus is delivering Return On Investment models for marketing communications, with fully integrated creative and technology expertise in CRM, digital and brand platforms to create lasting,memorable brand experiences across the entire digital landscape. Few agencies can deliver the analytics, results and streamlined simplicity that McCann and MRM’s combined competencies offer in strategy, creativity, performance and technology.

McCann and MRM are staffed by a group of multinational agency professionals seeking to create a strategic and creative alternative to traditional agency thinking. A regular on Australian agency pitch lists, McCann competes against the likes of AJF Partnership, DDB, Badjar Ogilvy & Mather, BBH, BMF, BWM, Campaign Palace, Clemenger BBDO, Cummins Ross, Euro RSCG, George Patterson (GP Y&R), Grey Worldwide, Host, Jack Watts Currie, JWT, Leo Burnett, Marmalade, M&C Saatchi, Publicis Mojo, Naked, Saatchi & Saatchi, The Furnace, The Glue Society, The works and Three Drunk Monkeys.

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Is there anything more polite than advertising?

I’m just putting it out there, but is anyone else surprised that we’re still not allowed to say fuck in ads? Bitch seems ok, shit is borderline, and the c-word is obviously off the radar for some time yet. But fuck is still strictly forbidden.

It’s a little surprising, given the general degradation of traditional standards in modern society. Language is an interesting barometer of standards: not that long ago, a guy in a subservient relationship was hen-pecked. Now he’s pussy-whipped.

Ask a hundred people what Arnie’s most famous line was, and I suspect just as many people will hit you with ‘fuck you, arsehole’ as ‘I’ll be back’.

And, of course, our good friend the internet has meant that quaint traditions such as ratings and standards and adults-only are a thing of the past. If it exists, it’s available to everyone. All the time.

You can say fuck on the ABC: I’ve heard it more than once. And that’s the kind of taxpayer-funded bastion of decency that still screens stuff like Midsomer Murders and at least purports to be some kind of arbiter of decency.

Sportspeople can mouth fuck all they want on the field (and if there’s an easier word to lipread, I haven’t found it) for our kiddies to pick up on. But KFC can’t run ads imploring people to fuck themselves up on the new triple-fillet quadruple cheese nacho burger.

But advertising has always been held to a far higher standard than other media. You can swear in movies, you can show ultraviolence and dangerous driving on TV, and nudity is everywhere.

Except in ads, because that’s not allowed. Which is an interesting thought for all those who believe advertising is responsible for some general lowering of standards in our society. Because by any objective analysis, advertising imagery is the most wholesome stuff in popular culture.

Music, movies, books, TV, internet… that’s where all the bad stuff is. By comparison, TV ads look like some weird throwback to the 1950’s, with wholesome nuclear families doing wholesome things that bare little resemblance to the chaos and sometimes-ugliness of real life.

People are very wary of censorship, unless it’s to do with advertising. Then they’re all for it. Which is why I can get Government funding for a movie script that contains the word fuck 112 times, the c-word 32 times, has 19 gruesome murders and more tits than a milking yard. And yet if I’m an advertiser, all hell would break loose if I attempted anything of the sort in my own self-funded work.

Not that I’m necessarily advocating a free-for-all. It’s more that I’m genuinely surprised that Australian advertising is still being kept on such a tight moral leash when every other form of popular culture has been allowed to plumb the depths at will.

In most other respects, advertising is an accurate reflection of the national mood and psyche. It has to be, because relevance and empathy are critical to the success of any campaign. Yet here we are, in a strange place of conflicting standards:

Where content genuinely reflects the social and moral mores of the nation, and where advertising is a highly-sanitised version thereof. It’s always struck me as more than a little weird that the ads on TV are held to much higher standards of accountability than the content they’re interrupting.

And as a final point, if someone could explain to me why cigarette advertising is banned, yet influential magazines aimed at young women/teenage girls can still show models smoking, that’d be great. Because I think we all know editorial has a far greater chance of influencing behaviour than an advertisement ever would.

2 thoughts on “Is there anything more polite than advertising?

  1. Pingback: SMART-ARSE BLOG | John Mescall on the creative world of advertising | Big Lizard Design

  2. Pingback: Presentation (Findings V3) | Big Lizard Design

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